{"id":84386,"date":"2024-11-05T12:31:23","date_gmt":"2024-11-05T11:31:23","guid":{"rendered":"http:\/\/romainfroquet.fr\/?page_id=84386"},"modified":"2026-03-23T17:09:19","modified_gmt":"2026-03-23T16:09:19","slug":"a-propos-de-romain-froquet","status":"publish","type":"page","link":"https:\/\/romainfroquet.fr\/index.php\/a-propos-de-romain-froquet\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"84386\" class=\"elementor elementor-84386\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2801b27 e-flex e-con-boxed e-con e-parent\" data-id=\"2801b27\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8e63bdd elementor-widget elementor-widget-spacer\" data-id=\"8e63bdd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1bf9d15 e-flex e-con-boxed e-con e-parent\" data-id=\"1bf9d15\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-353b922 e-con-full e-flex e-con e-child\" data-id=\"353b922\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4aa1835 elementor-widget elementor-widget-heading\" data-id=\"4aa1835\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Biographie<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1881dda elementor-widget elementor-widget-text-editor\" data-id=\"1881dda\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Romain Froquet, n\u00e9 en 1982, vit et travaille en France. Depuis la fin des ann\u00e9es 1990, il consacre sa vie \u00e0 la peinture. Artiste autodidacte, il construit son \u0153uvre sur la base de diff\u00e9rentes influences culturelles ainsi que sur des r\u00e9flexions sur les connexions qui existent dans ce monde.<\/p><p>Il s\u2019inspire d\u2019artistes contemporains, pr\u00e9curseurs de la peinture abstraite, tels Arshile Gorky, Jackson Pollock, Willem de Kooning. Pourquoi cet int\u00e9r\u00eat pour l\u2019abstraction\u2009? Elle donne une vision alternative. Elle permet \u00e0 l\u2019homme de cogiter et de voir, par ses pens\u00e9es, des choses qu\u2019il ne saurait voir, avec ses yeux. Gr\u00e2ce \u00e0 l\u2019art abstrait, l\u2019artiste a le pouvoir de percevoir au-del\u00e0 du tangible, d\u2019extraire l\u2019infini du fini. C\u2019est l\u2019\u00e9mancipation de l\u2019esprit, une exploration vers des territoires inconnus.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e446868 elementor-widget elementor-widget-htmega-toggle-addons\" data-id=\"e446868\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"htmega-toggle-addons.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t            <div class=\"htmega-toggle-area\" >\n                \n                <div class=\"htmega-toggle-content-e446868\" style=\"display: none;\">\n                    <div class=\"htmega_custom_content\"><p>A ses d\u00e9buts, les peintures de Romain Froquet repr\u00e9sentaient des masques africains stylis\u00e9s. Il appr\u00e9cie l\u2019esth\u00e9tique de l\u2019art tribal. Il y retrouve des connexions profondes qui exercent une influence sur son \u0153uvre : le rapport \u00e0 la terre m\u00e8re, le lien aux divinit\u00e9s et aux croyances.<\/p><p>Si l\u2019id\u00e9e que l\u2019art int\u00e8gre le paysage urbain pla\u00eet \u00e0 Romain Froquet, ce n'est pas seulement pour des raisons esth\u00e9tiques. C\u2019est un aussi un moyen de cr\u00e9er un lien social et communautaire. Il se retrouve, tout \u00e0 fait, dans la d\u00e9marche artistique des muralistes mexicains, Diego Rivera, Jos\u00e9 Clemente Orozco ou David Alfaro Siqueiros qui voulaient rendre leurs \u0153uvres accessibles \u00e0 tout public. C\u00f4t\u00e9 street art, il colle des dessins d\u2019arbre de formes et de couleurs non conventionnelles. C\u00f4t\u00e9 artiste associ\u00e9 \u00e0 l\u2019am\u00e9nagement urbain, il collabore avec des associations, des municipalit\u00e9s ou des entreprises pour \u00ab m\u00e9tamorphoser \u00bb un mur, un terrain de sport ou m\u00eame un parking, avec une fresque ou une installation.<\/p><p>Ses cr\u00e9ations sont essentiellement con\u00e7ues autour de l\u2019id\u00e9e de connexion. Dans le monde tout est connect\u00e9 : les personnes entre elles, les \u00e9l\u00e9ments naturels, l\u2019homme et la terre\u2026 et bien s\u00fbr l\u2019artiste et son public. Romain Froquet essaie d\u2019appr\u00e9hender ces rapports dans ses projets artistiques. En se basant sur des photos d\u2019\u00e9changeurs d\u2019autoroute, il \u00e9voque, par exemple, les voies de communication qui relient les hommes. La ligne lui permet de mat\u00e9rialiser cette connexion. Il joue, \u00e9galement, avec son c\u00f4t\u00e9 paradoxal. La ligne peut cr\u00e9er un lien autant que diviser.<\/p><p>Sur le plan esth\u00e9tique, les lignes que Romain Froquet dessine sont souvent courb\u00e9es et r\u00e9p\u00e9t\u00e9es. Elles partent de repr\u00e9sentations concr\u00e8tes : contour d\u2019arbres ou de masques africains, images d\u2019\u00e9changeurs d\u2019autoroutes vus du ciel\u2026 Sous ses coups de pinceau, arbres, masques africains et \u00e9changeurs d\u2019autoroutes renaissent en compositions picturales abstraites, d\u2019un style parfois calligraphique. Les courbes lui permettent de donner une impression de dynamisme et de mouvement. Il s\u2019applique \u00e0 les tracer dans des proportions \u00e9quilibr\u00e9es.<\/p><p>Romain Froquet a tr\u00e8s t\u00f4t voulu diversifier les supports de ses tableaux. Il travaille sur du papier, bien s\u00fbr, mais \u00e9galement sur du m\u00e9tal ou de la toile de jute. Dans ses compositions picturales, il varie souvent les mati\u00e8res. La peinture, l\u2019encre de chine juxtaposent des pi\u00e8ces de tissus ou des morceaux d\u2019articles de journaux. Ses fresques murales sont agr\u00e9ment\u00e9es de planches de bois ou de pi\u00e8ces m\u00e9talliques qui leur donnent du relief. Parfois, il va plus loin en montant des installations artistiques avec des c\u00e2bles ou des v\u00e9g\u00e9taux.<\/p><p>Le travail de la couleur constitue un autre terrain d\u2019exp\u00e9rimentation artistique pour Romain Froquet. Il lui pla\u00eet de combiner et de superposer diff\u00e9rentes couleurs, mais aussi de jouer avec les nuances en travaillant les tons et la consistance de la peinture. Il donne parfois aux lignes qu\u2019il trace une impression de gradation, la densit\u00e9 des courbes s\u2019estompant progressivement.<\/p><p>En m\u00ealant art abstrait, art urbain et influences ethniques, en poussant son travail sur la ligne et la couleur, Romain Froquet est parvenu \u00e0 se donner une identit\u00e9 artistique qui correspond \u00e0 ses aspirations personnelles. Une approche qui gagne l\u2019int\u00e9r\u00eat et le soutien de personnes investies dans l\u2019art contemporain. Les \u0153uvres de Romain Froquet sont expos\u00e9es en France, en Russie, aux \u00c9tats-Unis, au Mexique et d\u2019autres pays, dans des galeries ou des projets d\u2019am\u00e9nagement urbain.<\/p><p>Sur ce site, Romain Froquet pr\u00e9sente un large \u00e9ventail de son travail artistique. Vous \u00eates invit\u00e9 \u00e0 le parcourir, tranquillement, comme dans une salle d\u2019exposition.<\/p><\/div>                <\/div>\n\n                <div class=\"htmega-toggle-button\">\n                    <a href=\"#\" class=\"togglebutton-e446868 normal_btn\">Lire la suite<\/a><a href=\"#\" class=\"togglebutton-e446868 opened_btn\">Fermer<\/a>                <\/div>\n\n            <\/div>\n\n            <script>\n                jQuery(document).ready(function($) {\n                    'use strict';\n                    $(\".togglebutton-e446868\").on('click', function(){\n                        $(\".htmega-toggle-content-e446868\").slideToggle('slow');\n                        $(this).removeAttr(\"href\");\n                        $(this).parent().toggleClass(\"open\");\n                    });\n                });\n            <\/script>\n        \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8c5c4af e-con-full e-flex e-con e-child\" data-id=\"8c5c4af\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9a199b1 elementor-widget elementor-widget-image\" data-id=\"9a199b1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"840\" height=\"560\" src=\"https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-1024x683.jpg\" class=\"attachment-large size-large wp-image-84704\" alt=\"\" srcset=\"https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-1024x683.jpg 1024w, https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-300x200.jpg 300w, https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-768x512.jpg 768w, https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-1536x1024.jpg 1536w, https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-2048x1365.jpg 2048w, https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-350x233.jpg 350w, https:\/\/romainfroquet.fr\/wp-content\/uploads\/2025\/01\/mmexport1733896487209-scaled.jpg 2560w\" sizes=\"(max-width: 840px) 100vw, 840px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ea9205d elementor-widget elementor-widget-text-editor\" data-id=\"ea9205d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><span style=\"color: #000000;\"><strong>Expositions personnelles <\/strong><\/span><\/h5><p><span style=\"color: #000000;\"><strong>2025<\/strong><\/span><br \/><span style=\"color: #000000;\">CONNECTIONS<\/span>, Centre d\u2019Art du Hangar 107, Rouen<\/p><p><span style=\"color: #000000;\"><strong>2024<\/strong><\/span><br \/><span style=\"color: #000000;\">TERRA INCOGNITA<\/span>, Colector Gallery, Monterrey (Mx)<\/p><p><span style=\"color: #000000;\"><strong>2023<\/strong><\/span><br \/><span style=\"color: #000000;\">CONNECTIONS<\/span>, Yvonamor Palix Fine Art, Houston (us)<\/p><p><span style=\"color: #000000;\"><strong>2022<\/strong><\/span><br \/><span style=\"color: #000000;\">FLUX, LIENS ET MOUVEMENTS<\/span>, La Lune en Parachute, \u00c9pinal (fr)<\/p><p><span style=\"color: #000000;\"><strong>2021<\/strong><\/span><br \/><span style=\"color: #000000;\">LINKS AND LINES<\/span>, Askeri Gallery, Moscow (ru)<\/p><p><span style=\"color: #000000;\"><strong>2020<\/strong><\/span><br \/><span style=\"color: #000000;\">R\u00c9SIDENCE ARTISTIQUE<\/span>, Atelier Estienne, Pont-Scorff (fr)<br \/><span style=\"color: #000000;\">LIGN\u00c9ES<\/span>, Pavillon Carr\u00e9 de Baudouin, Paris (fr)<\/p><p><span style=\"color: #000000;\"><strong>2019<\/strong><\/span><br \/><span style=\"color: #000000;\">M\u00caME \u00c0 SEC LA RIVIERE GARDE SON NOM<\/span>, Galerie Jo\u00ebl Knafo, Paris (fr)<\/p><p><span style=\"color: #000000;\"><strong>2018<\/strong><\/span><br \/><span style=\"color: #000000;\">THE NATURE OF MAGNETISM<\/span>, Askeri Gallery, Moscow (ru)<br \/><span style=\"color: #000000;\">ABOVE THE LINE<\/span><em>,<\/em> Galerie Jo\u00ebl Knafo, Paris (fr)<\/p><p><span style=\"color: #000000;\"><strong>2017<\/strong><\/span><br \/><span style=\"color: #000000;\">EXPOSITION PERSONNELLE<\/span><em>,<\/em> Les Cadres Gault, Gen\u00e8ve (ch)<\/p><p><span style=\"color: #000000;\"><strong>2016<\/strong><\/span><br \/><span style=\"color: #000000;\">EXPOSITION PERSONNELLE<\/span>, Askeri Gallery, Moscow (ru)<br \/><span style=\"color: #000000;\">HIGHWAY,<\/span> Espace ArtAsia Paris (fr)<\/p><p><span style=\"color: #000000;\"><strong>2015 <\/strong><\/span><br \/><span style=\"color: #000000;\">GESTURE AND LINE<\/span><em>,<\/em> Yvonamor Palix Gallery, Houston (us)<\/p><p><strong><span style=\"color: #000000;\">2014<\/span> <br \/><\/strong><span style=\"color: #000000;\">EXPOSITION PERSONNELLE<\/span><em>,<\/em> Les Cadres Gault, Gen\u00e8ve (ch)<\/p><p><strong><span style=\"color: #000000;\">2013<\/span> <br \/><\/strong><span style=\"color: #000000;\">RACINES<\/span>, Galerie L\u2019Espace, Dijon (fr)<\/p><p><strong><span style=\"color: #000000;\">2012<\/span> <br \/><\/strong><span style=\"color: #000000;\">AMBIVALENCE<\/span><em>,<\/em> Galerie L\u2019Espace, Dijon (fr)<br \/><span style=\"color: #000000;\">EMPREINTE<\/span><em>,<\/em> Xoyo Gallery, London (uk)<\/p><p><strong><span style=\"color: #000000;\">2009<\/span> <br \/><\/strong><span style=\"color: #000000;\">FILIGRANE<\/span><em>,<\/em> l\u2019Arri\u00e8re-Boutique, Paris (fr)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-17c01f1 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"17c01f1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9dd28e7 elementor-widget elementor-widget-text-editor\" data-id=\"9dd28e7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><strong>Expositions collectives | Group show<\/strong><\/h5><p><strong>2026<\/strong><br \/>DANS SES ART\u00c8RES COULE LA VIE, Fluctuart, Paris<br \/>100% PAPER, Bastille design center, Paris<br \/>PARIS \u2013 YEREVAN, Armenia<br \/><br \/><strong>2025<\/strong><br \/>GRAFF SUR PANAME, Prieur\u00e9 de Vivouin<\/p><p><strong>2024<\/strong><br \/>SAILING HOME, Museum of Zhoushan, curated by UCCA (ch)<br \/>L\u2019ART DANS LA RUE, Abbatiale de Bernay (fr)<\/p><p><strong>2023<\/strong><br \/>ART MIAMI, Galerie L\u00e9lia Mordoch, Miami (us)<br \/>SEMIOLOGIE, Layup, Toulouse (fr)<\/p><p><strong>2022<\/strong><br \/>CAPITALE(S), H\u00f4tel de Ville de Paris (fr)<br \/>FORMES COLLECTIVES, Grayan et l\u2019H\u00f4pital (fr)<br \/>L\u2019ART CHEMIN FAISANT, Pont-Scorff (fr)<\/p><p><strong>2021<\/strong><br \/>L\u2019ESSENTIEL, Curated by Art Azo\u00ef, Paris (fr)<br \/>ABSTRACT LINES, Yvonamor Palix Fine Art, Houston (us)<br \/>JE TE LAISSE LES CL\u00c9S, H Gallery, Paris (fr)<br \/>FRENCH ABSTRACT EXPRESSIONISM, Yvonamor Palix Fine Arts, Houston (us)<\/p><p><strong>2020 <\/strong><br \/>FLIGHT OF THE MONARCH, International Biennial, Houston 2020<br \/>10 ANS, Galerie Mathgoth, Paris (fr)<br \/>ART PARIS, Galerie L\u00e9lia Mordoch, Paris (fr)<br \/>VISION D\u2019ENSEMBLE, Fluctuart, Paris (fr) | Curated by 9<sup>\u00e8me<\/sup> Concept<br \/>L\u2019ART CHEMIN FAISANT, Atelier Estienne, Pont-Scorff (fr)<br \/>LE VIRUS DE L\u2019ART, Galerie L\u00e9lia Mordoch, Paris (fr)<br \/>POLYPHONISSIMA, Galerie Jo\u00ebl Knafo, Paris (fr)<br \/>URVANITY, Galerie Jo\u00ebl Knafo, Madrid (sp)<\/p><p><strong>2019<\/strong><br \/>SCOPE, Askeri Gallery, Miami Beach (us)<br \/>8<sup>E<\/sup> AVENUE, Galerie Jo\u00ebl Knafo, Paris (fr)<br \/>COSMOSCOW, Askeri Gallery, Moscow (ru)<br \/>K-LIBRE, Le R\u00e9servoir, S\u00e8te (fr)<br \/>URBAN ART FAIR, Galerie Jo\u00ebl Knafo, Paris (fr)<br \/>CONQU\u00caTE URBAINE, Mus\u00e9e des beaux Arts de Calais<\/p><p><strong>2018<\/strong><br \/>VARIATIONS, Galerie Jo\u00ebl Knafo, Paris (fr)<br \/>LEGENDES URBAINES, Base sous Marine, Bordeaux<br \/>URBAN ART FAIR, Galerie Jo\u00ebl Knafo, Paris (fr) <br \/>FOIRE D\u2019ART CONTEMPORAIN,\u00a0Lille\u00a0(fr)<\/p><p><strong>2017<\/strong><br \/>URBAN LEGENDS, Sagamore Hotel, Miami (us)<br \/>8<sup>E<\/sup> AVENUE, Galerie Jo\u00ebl Knafo, Paris (fr)<br \/>NOCTURNE RIVE DROITE, Les Cadres Gault, Paris (fr)<br \/>URBAN ART FAIR, Galerie Jo\u00ebl Knafo, Paris (fr)<\/p><p><strong>2016<\/strong><br \/>FRENCH PAVILLON, Houston | Curated by Yvonamor Palix<br \/>25 ANS DE CR\u00c9ATION COLLECTIVE, Le Flow, Lille (fr)<\/p><p><strong>2015<\/strong><br \/>RESIDENCE AVANT DESTRUCTION<em>, <\/em>Galerie Brugier Rigail, Paris<br \/>CHILD FOR CARE<em>, <\/em>Piasa, Paris (fr) | Curated by France Inde Karnataka<strong><em><br \/><\/em><\/strong><strong><br \/>2014<em> <br \/><\/em><\/strong>FREEDOM<em>,<\/em> Wynwood, Miami (us)<br \/>AVANT DESTRUCTION<em>,<\/em> Mus\u00e9e Carr\u00e9 Bonnat, Bayonne (fr) <br \/>FRENCH STREET ART, Galerie Mines d\u2019Art, Gen\u00e8ve (ch)<\/p><p><strong>2013<\/strong> <br \/>LA NOCTURNE RIVE DROITE<em>,<\/em> Les Cadres Gault, Paris (fr)<br \/>OPEN THE DOOR<em>,<\/em> Houston, (us)<br \/>LES BAINS<em>,<\/em> Galerie Magda Danysz, Paris, (fr)<\/p><p><strong>2012 <\/strong><br \/>URBAN DECAY<em>,<\/em> Ravi Gallery, Hyderabad (in)<br \/>FRESH<em>,<\/em> Yvonamor Palix Gallery, Houston (us)<br \/>SUR PAPIER<em>,<\/em> Yvonamor Palix Gallery, Houston (us)<\/p><p><strong>2011 <\/strong><br \/>GO WEST<em>, <\/em>UNESCO, Paris \/ Williams tower, Houston (us)<\/p><p><strong>2009 <\/strong><br \/>IMAGINE<em>,<\/em> Palais de Tokyo, Paris (fr)<\/p><p><strong>2004<\/strong><br \/>SANG 9, Centre d\u2019art en l\u2019\u00eele, Gen\u00e8va (ch)<br \/>SANG 9, MK2 Biblioth\u00e8que, Paris (fr)<\/p><p><strong>2003<\/strong><br \/>SANG 9, Kitchen 93 gallery, Paris (fr)<\/p><p><strong>2002<\/strong><br \/><em>SANG 9<\/em>, Magda Danysz Gallery, Paris, (fr)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-65d855d elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"65d855d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d2f753d elementor-widget elementor-widget-text-editor\" data-id=\"d2f753d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><strong>In Situ<\/strong><\/h5><p><strong>2025<\/strong><br \/>THE SOUND OF RUISOSA, West Texas<br \/>DAK CHAN, Luang Prabang, Laos<br \/>RIVER CITY LINES, Bangkok<br \/>GESTURE, Chapelle des P\u00e9nitents P\u00e9zenas<br \/>TISSAGE URBAIN, Place Bellecour, Lyon<\/p><p><strong>2024<\/strong><br \/>CONNECTIONS, Marfa, Ouest Texas (us)<br \/>TRAITS D\u2019UNION, Nogent-sur-Seine (fr)<br \/>CITY OF ALL ENERGIE, Houston (us)<\/p><p><strong>2023<\/strong><br \/>TERRITOIRE, Tremblay-en-France (fr)<br \/>FOR\u00caT DE SIGNES, Argentat (fr)<br \/>\u00c9CLAT, Le Mans (fr)<\/p><p><strong>2022<\/strong><br \/>TUNNEL DES TUILLERIES, Paris (fr)<br \/>VOSGELIS, Golbey et \u00c9pinal (fr)<br \/>ABBAYE DE SAINT RIQUIER (fr)<\/p><p><strong>2021<\/strong><br \/>CONCESSION FERRARI CHARLES POZZI, Paris (fr)<br \/>LE PRINTEMPS HAUSSMANN, Paris (fr)<br \/>DE LA PEINTURE SOUS LES PIEDS, \u00c9cole Chappe, Saint Etienne (fr)<br \/>\u00c9COLE BRASSART, Lyon (fr)<br \/>LE MUR OBERKAMPF, Paris (fr)<br \/>AUBER, Paris, | Curated by RATP<\/p><p><strong>2020<\/strong><br \/>IMAGINAIRE DE MUR, Atelier d\u2019Estienne, Pont-Scorff (fr)<br \/>MUR DU PAVILLON CARR\u00c9 DE BAUDOUIN, Paris, (fr)<\/p><p><strong>2019<\/strong><br \/>PLAYGROUND DES HALLES V2, Paris (fr) | Curated by Mairie de Paris<br \/>LA KARRI\u00c8RE, Villars Fontaine, (fr)<br \/>LE CLOS DU CH\u00caNE, Mont\u00e9vrain, (fr)<br \/>CONQU\u00caTE URBAINE, Mus\u00e9e des Beaux-Arts de Calais<\/p><p><strong>2018<\/strong><br \/>PLAYGROUND DES HALLES, Paris (fr) | Curated by Mairie de Paris<br \/>TREES, Savigny-le-Temple (fr) | Curated by Paris Grand Sud<br \/>HOTEL MERCURE MONTMARTRE,\u00a0Paris\u00a0(fr)<br \/>NATURALIA BOULOGNE,\u00a0Paris (fr)<\/p><p><strong>2017<\/strong><br \/>CROSSROADS, Wynwood, Miami (us) | Fabien Castanier Gallery wall<br \/>HISTOIRES URBAINES 0.1, Saint-Di\u00e9-des-Vosges (fr) | Curated by Galerie 36<sup>e<\/sup> Art<br \/>QUARTIER DES ORMES, Igny (fr) | Curated by France Habitation<br \/>HOTEL CITIZEN, Paris (fr)<br \/>BOSCO, Moscow (ru)\u00a0| Curated by Polina\u00a0Askeri\u00a0and Igor Kazakov<br \/>LE PRINTEMPS DE L\u2019HOMME, Paris (fr)\u00a0| Curated by B.Laumaill\u00e9 et F.Banchet<\/p><p><strong>2016<\/strong><br \/>BIBLIOTH\u00c8QUE AIM\u00c9 C\u00c9SAIRE, Paris (fr)<br \/>LES MONDES SOUTERRAINS, Art 42, Paris (fr) | Curated by Nicolas Laugero Lasserre<br \/>RADIOGRAPHIK<em>, La Maison de la Radio <\/em>| Curated by Artazo\u00ef<br \/>K-LIVE, S\u00e8te (fr)<br \/>ART42, Mus\u00e9e d\u2019Art Ubain, Paris (fr) | Curated by Nicolas Laugero Lasserre<br \/>LE MUR CHERBOURG (fr)<br \/>LE MUR DE L\u2019\u00c2GE D\u2019OR, Paris (fr)<br \/>FRANCS COLLEURS (fr)<br \/>HOTEL NEGRE COSTE, Aix en Provence (fr)<br \/>NATURALIA, Paris (fr)<\/p><p><strong>2015<\/strong><br \/>SAWGRASS GROUND HOTEL, Miami (us)<br \/>STUDIO 13-16 CENTRE GEORGE POMPIDOU, Paris (fr) | Curated by Martin Bourguignat<br \/>150 ANS DU PRINTEMPS, Paris (fr) | Curated by B.Laumaill\u00e9 et F.Banchet<br \/>MUR DU SQUARE KARCHER, Paris (fr) | Curated by Artazoi<br \/>KIOSQUE, Bagneux (fr) | France Habitation et Apes<\/p><p><strong>2014 <\/strong><br \/>TREES, Wynwood, Miami (us)<br \/>THE CARGO SPACE<em>,<\/em> Rice University, Houston (us) | Curated by Christopher Sperandio<\/p><p><strong>2013 <\/strong><br \/>GENESIS<em>,<\/em> Lyc\u00e9e du Nivolet, Chamb\u00e9ry (fr)<br \/>LE M.U.R<em>, <\/em>Marseille (fr) | Curated by Juxtapoz<\/p><p><strong>2012 <\/strong><br \/>MAIN STREET PROJECTS<em>, <\/em>with Rahul Mitra, Houston (us)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1113f85 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1113f85\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-00890f5 elementor-widget elementor-widget-text-editor\" data-id=\"00890f5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><strong>Collection &amp; Fondation<\/strong><\/h5><p>Collection Soci\u00e9t\u00e9 G\u00e9n\u00e9rale<br \/>Fondation Desperados pour l\u2019Art Urbain<br \/>Collection Art 42 \u2013 Nicolas Laugero Lasserre<br \/>Artoth\u00e8que Las\u00e9cu, Lille<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b74d102 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b74d102\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e37813d elementor-widget elementor-widget-text-editor\" data-id=\"e37813d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><strong>Co-branding | Artist Edition<\/strong><\/h5><p><strong>2021 <\/strong><br \/>Seize12 <br \/>Cabaia <\/p><p><strong>2019 <\/strong><br \/>Sushi shop <\/p><p><strong>2017<br \/><\/strong>Bosco<\/p><p><strong>2013<\/strong> <br \/>Rossignol<\/p><p><strong>2012 <br \/><\/strong>Haviland<\/p><p><strong>2011<\/strong> <br \/>F.S.T Handwear<\/p><p><strong>2010 <\/strong>Coach<\/p><p><strong>2009 <br \/><\/strong>Desperados<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5b5f7aa elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"5b5f7aa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b92ada5 elementor-widget elementor-widget-text-editor\" data-id=\"b92ada5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><strong>Publications<\/strong><\/h5><p><strong>Connections, <\/strong>catalogue d\u2019exposition, Hangar 107 (2026)<br \/><strong>Flux, Liens et Mouvement<\/strong>, catalogue d\u2019exposition (2022)<br \/><strong>Capitale(s<\/strong>), \u00e9ditions Alternatives (2022)<br \/><strong>Une Street Histoire de l\u2019art<\/strong>, \u00e9ditions Alternatives, Cyrille Gouyette (2021)<br \/><strong>9e Concept, 30 ans de dialogue artistique<\/strong>, In Fine (2021)<strong><br \/><\/strong><strong>Wall Street Art<\/strong>, Opus D\u00e9lits (2020)<br \/><strong>Lign\u00e9es<\/strong>, catalogue d\u2019exposition (2020)<br \/><strong>Conqu\u00eate Urbaine<\/strong>, Lienart (2019)<br \/><strong>L\u00e9gendes Urbaines<\/strong>, In Fine (2019)<br \/><strong>Street Art et Graffiti, artistes d\u2019exception en France<\/strong>, Claire Champenois (2018)<br \/><strong>Guide Annuel de l\u2019Art Urbain 2018, <\/strong>Graffiti Art Magazine<br \/><strong>Entre les lignes, <\/strong>monograph<strong><em>, <\/em><\/strong>Opus D\u00e9lits (2017)<br \/><strong><em>69<\/em><\/strong>, Opus D\u00e9lits (2017)<br \/><strong>Art 42<\/strong>, Opus D\u00e9lits (2016)<br \/><strong>Aux Tableaux<\/strong>, L\u2019Atelier Juxtapoz (2016)<br \/><strong>R\u00e9sidence avant destruction<\/strong>, 9eme concept edition (2015)<br \/><strong>Racines<\/strong>, monograph, Plan 9 edition (2015)<br \/><strong>I Said a Hip<\/strong>, Herscher edition (2014)<br \/><strong>Les Bains, r\u00e9sidence d\u2019artistes<\/strong>, DRAGO \u00e9dition (2013)<br \/><strong>9eme concept, 20 ans de cr\u00e9ation collective<\/strong>, Herscher edition (2013<br \/><strong>Urban Decay<\/strong>, Exhibition catalog Hyderabad Ravi Gallery edition (2012)<br \/><strong>Go West 1<\/strong>, Exhibition catalog (2011)<br \/><strong>Imagine<\/strong>, Exhibition catalog Palais de Tokyo Heineken editions (2008)<br \/><strong>9\u00e8me concept<\/strong>, V2, Pyramid edition (2007)<br \/><strong>9\u00e8me Concept<\/strong>, V1, Pyramid edition (2005)<br \/><strong>Sang 9<\/strong>, Kitchen 93 edition (2004)<br \/><strong>Tribe All<\/strong>, Magda Danysz &amp; 9eme concept editions (2003).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4bc68fc e-flex e-con-boxed e-con e-parent\" data-id=\"4bc68fc\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-edf66d7 elementor-widget elementor-widget-spacer\" data-id=\"edf66d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Biographie Romain Froquet, n\u00e9 en 1982, vit et travaille en France. Depuis la fin des ann\u00e9es 1990, il consacre sa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":82623,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-84386","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00c0 propos - Romain Froquet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/romainfroquet.fr\/index.php\/a-propos-de-romain-froquet\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0 propos - Romain Froquet\" \/>\n<meta property=\"og:description\" content=\"Biographie Romain Froquet, n\u00e9 en 1982, vit et travaille en France. 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