{"id":84210,"date":"2023-10-06T16:04:13","date_gmt":"2023-10-06T14:04:13","guid":{"rendered":"http:\/\/romainfroquet.fr\/?post_type=portfolio&p=84210"},"modified":"2025-02-11T11:37:20","modified_gmt":"2025-02-11T10:37:20","slug":"territoire","status":"publish","type":"portfolio","link":"https:\/\/romainfroquet.fr\/index.php\/portfolio\/territoire\/","title":{"rendered":"TERRITOIRE"},"content":{"rendered":"

[vc_row row_height_percent=\u00a0\u00bb60″ back_image=\u00a0\u00bb84136″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/1″][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=\u00a0\u00bb80″ align_horizontal=\u00a0\u00bbalign_center\u00a0\u00bb gutter_size=\u00a0\u00bb2″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb2″][vc_custom_heading text_size=\u00a0\u00bbh1″ text_weight=\u00a0\u00bb100″ subheading=\u00a0\u00bb2023 | Tremblay-en-France\u00a0\u00bb]TERRITOIRE[\/vc_custom_heading][vc_empty_space empty_h=\u00a0\u00bb2″][vc_separator][vc_custom_heading]<\/p>\n

Une \u0153uvre urbaine vue du ciel\u2026 et du sol<\/b><\/h4>\n

[\/vc_custom_heading][vc_column_text]<\/p>\n

Peinte sur une surface de 1300 m\u00b2, la fresque de Romain Froquet est l\u2019une des plus grandes d\u2019\u00cele-de-France. Cet \u00eelot de couleurs est visible depuis les routes environnantes comme depuis le ciel.<\/p>\n

Une fresque aux proportions gigantesques<\/b><\/h5>\n

Avec une dimension de 120 m de long par 11 m de haut, l\u2019\u0153uvre de Romain Froquet ne passe pas inaper\u00e7ue. Elle couvre la fa\u00e7ade d\u2019un grand entrep\u00f4t appartenant \u00e0 la soci\u00e9t\u00e9 Barjane et situ\u00e9 dans le parc AeroliansParis ; un p\u00f4le logistique situ\u00e9 \u00e0 Tremblay-en-France, \u00e0 proximit\u00e9 de l\u2019a\u00e9roport Roissy Charles de Gaulle.<\/p>\n

Romain Froquet s\u2019est entour\u00e9 de quatre assistants pour r\u00e9aliser ce projet. Peindre une fa\u00e7ade de 1300 m\u00b2 \u00e9tait une v\u00e9ritable performance pour ces artistes. Aucun d\u2019eux ne s\u2019\u00e9tait frott\u00e9 \u00e0 une surface d\u2019une telle dimension. Travailler sur le rev\u00eatement en m\u00e9tal cannel\u00e9 du mur constituait un autre d\u00e9fi. Romain Froquet et son \u00e9quipe avaient cependant l\u2019exp\u00e9rience de chantiers pr\u00e9c\u00e9dents. Ils savaient que la cl\u00e9 de la r\u00e9ussite \u00e9tait de r\u00e9aliser des esquisses parfaites d\u00e8s le d\u00e9part.<\/p>\n

Cette fresque monumentale a \u00e9t\u00e9 r\u00e9alis\u00e9e en 15 jours, comme cela \u00e9tait pr\u00e9vu. Environ 650 l de peinture ont \u00e9t\u00e9 consomm\u00e9s. Cette r\u00e9ussite est aussi due au climat d\u2019\u00e9change que les artistes ont entretenu durant ce projet. L\u2019entrep\u00f4t de Barjane peut d\u00e9sormais s\u2019enorgueillir d\u2019une \u0153uvre originale qui la distingue des b\u00e2timents alentour.<\/p>\n

Une \u0153uvre originale en connexion avec son environnement<\/b><\/h5>\n

C\u2019est l\u2019agence Manifesto qui a contact\u00e9 Romain Froquet pour ce projet de fresque murale. Elle s\u2019est ensuite charg\u00e9e du pilotage.<\/p>\n

L\u2019artiste a vite imagin\u00e9 l\u2019\u0153uvre qu\u2019il allait concevoir. Le lieu, zone de transit international et r\u00e9gional, s\u2019accorde parfaitement avec le travail sur la connexion qu\u2019il explore depuis des ann\u00e9es. L\u2019a\u00e9roport et sa zone proche constituent une intersection multidimensionnelle o\u00f9 se croisent les passagers a\u00e9riens et les personnes qui viennent y travailler.<\/p>\n

Afin de mat\u00e9rialiser cette connexion et relier l\u2019entrep\u00f4t de Barjane \u00e0 son environnement, Romain Froquet s\u2019est appuy\u00e9 sur des photos satellites du parc AeroliansParis et ses alentours. Les courbes de la fresque s\u2019inspirent ainsi des trac\u00e9s des \u00e9changeurs et des intersections des routes.<\/p>\n

Autre moyen d\u2019identifier l\u2019\u0153uvre au paysage urbain qui l\u2019entoure : incorporer le gris anthracite et l\u2019ocre orang\u00e9, couleurs incluses dans la charte du parc AeroliansParis. Il n\u2019est cependant pas question que la fresque se fonde dans le paysage. Elle doit marquer sans heurter l\u2019harmonie de la fa\u00e7ade.<\/p>\n

Une fresque urbaine con\u00e7ue pour durer<\/b><\/h5>\n

La fresque r\u00e9alis\u00e9e par Romain Froquet et ses assistants ne sera pas \u00e9ph\u00e9m\u00e8re comme la plupart des \u0153uvres urbaines. Barjane souhaite la conserver une dizaine d\u2019ann\u00e9es. D\u2019ici l\u00e0, la ligne 17 du m\u00e9tro qui passera devant l\u2019entrep\u00f4t sera termin\u00e9e. Les usagers auront le loisir de l\u2019admirer.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/1″][vc_separator][vc_custom_heading text_size=\u00a0\u00bbh3″]EN IMAGES[\/vc_custom_heading][vc_icon icon=\u00a0\u00bbfa fa-arrow-circle-o-down\u00a0\u00bb size=\u00a0\u00bbfa-2x\u00a0\u00bb][\/vc_icon][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/1″][vc_single_image media=\u00a0\u00bb84220″ media_width_percent=\u00a0\u00bb100″][vc_custom_heading text_size=\u00a0\u00bbh5″ text_weight=\u00a0\u00bb100″]Film de Jules Hidrot<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/1″][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb2″][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/1″][vc_single_image media=\u00a0\u00bb84232″ media_width_percent=\u00a0\u00bb100″][vc_single_image media=\u00a0\u00bb84233″ media_width_percent=\u00a0\u00bb100″][vc_single_image media=\u00a0\u00bb84225″ media_width_percent=\u00a0\u00bb100″][vc_column_text]<\/p>\n

\u00ab \u2026 je joue avec le spectre du gris anthracite : des nuances de gris qui s\u2019\u00e9tendent du blanc au noir. J\u2019y ajoute une touche de bleu ciel. Cette couleur a un effet percutant par son c\u00f4t\u00e9 lumineux. Le bleu que je compose provient de la lumi\u00e8re que je per\u00e7ois depuis le lieu dans lequel j\u2019interviens. Je capture son \u00e9clat pour ensuite le retranscrire en peinture. \u00bb<\/p>\n

Romain Froquet<\/p><\/blockquote>\n

[\/vc_column_text][vc_single_image media=\u00a0\u00bb84234″ media_width_percent=\u00a0\u00bb100″][vc_single_image media=\u00a0\u00bb84226″ media_width_percent=\u00a0\u00bb100″][vc_column_text]<\/p>\n

Pour Romain Froquet, sa fresque peut \u00eatre l’objet d’explorations constantes.<\/p>\n

Les futurs usagers de la ligne 17 \u00ab s\u2019amuseront \u00e0 noter des d\u00e9tails qu\u2019ils n\u2019avaient jusqu\u2019\u00e0 lors pas remarqu\u00e9s. \u00bb<\/p>\n

Quant aux personnes qui fr\u00e9quentent l\u2019entrep\u00f4t, elles \u00ab peuvent comparer la fresque depuis diff\u00e9rentes perspectives. En se posant en face ou sur les c\u00f4t\u00e9s, les effets graphiques ne produisent pas le m\u00eame effet. \u00bb<\/p><\/blockquote>\n

[\/vc_column_text][vc_single_image media=\u00a0\u00bb84227″ media_width_percent=\u00a0\u00bb100″][vc_custom_heading text_size=\u00a0\u00bbh5″ text_weight=\u00a0\u00bb100″]Photos de Jules Hidrot<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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